i would be your catfish friend and drive such lonely thoughts from your mind...
Saturday, October 30, 2010
there's not a word yet for old friends who've just met...
It kinda makes them more beautiful.
One of my favorite lines in the whole world is "there's not a word yet for old friends who've just met."
Wednesday, October 27, 2010
-Russell Brand
There is a frickin woman sharing my tiny table here at Coffee Bean. No one has ever had the nerve to do that before-- big tables, yes, or those ones at Barnes and Noble when there's only 2 outlets in the whole place. But no. This woman wanted to sit in the comfy chair across from me. I get it. But I wish she'd take her comfy chair and sit elsewhere. I'm not feeling Christian today for some reason.
My mom after sampling my music taste: "I like Regina Spektor and Sufjan Stevens. I REALLY like Sufjan Stevens, but he is WEIRD."
The school that I work at is doing Red Ribbon Week, and on Monday they had "the launch" which consisted of all the kids going outside with red balloons and letting them all go at once, resulting in a flurry of beautiful, shiny balloons flooding the sky. Of course, I couldn't help but think it must be bad for the environment somehow, but it was still a very cool statement and it looked magical.
I told my mom about that, too, and she sighed. "I hate that red ribbon stuff." Me: "Really? Why?" Her: "I just do." Me: "Yeah, maybe the kids don't totally get it, but I think it's nice to raise awareness. They all make drug-free pledges." Her: "Yeah... I hate that. Nice in theory, but would you have done that at that age?" Me: "I don't know." Her: "It's like those purity pledges." Me: "Oh, I hate that. So lame." Her: "Yeah. Exactly."
Hahaha.
I finished writing my first mini-episode of a highschool story (my F&G attempt), about a homeschool taking dual credit at the local community college (familiar? why no) and gradually breaking away from her homeschool friends for her new community people. I call it Dual Credit. It's not great yet but perhaps it shall be.
It's what can only be called a Blustery Day. I feel like Piglet from Winnie The Pooh when I drive in my tiny, very lightweight car, as though we could fly away.
I've got to remember to wear scarves on days like today.
Tuesday, October 26, 2010
we ain't gotta trade our shoes, and you ain't gotta walk no thousand miles.
Monday, October 25, 2010
but i'm not there, i'm gone.
Saturday, October 23, 2010
one by one by one by one.
I've been a bit discouraged lately because it seems as though I'm not making enough money to get back on track. Also, I am loathe to admit this, but I feel very lonely right now. I guess I always do, and I make it hard on myself when it comes to improving that part of my life. Still, for some reason or other it's become fairly unbearable this week. Whether or not I let myself acknowledge the emptiness, I can always tell when things are particularly bad because I start talking to myself alot, and I go into obsessive mode. My obsessive mode-- clinically obsessive, by the way, which has led me and one of my one-time therapists to wonder if I'm more bipolar than anything else, but I digress-- is outrageous and relentless, kind of like eating a meal that's too big for you. You ever get the idea that you have to finish the whole damn thing? That's what it's like. I'll start in on something that's charmed me or made me curious, and before I know it I have to read/know/understand/have all there is to it, even when I'm bored of it or would prefer to be doing something else. I'm guessing it's something akin to crazy old ladies with their pets, just anything to fill the stupid emotional void that we all have when we have unresolved issues or feel invalidated/unaffirmed.
Anyway. I'm constantly shrinking myself, trying to find new levels of honesty, and alot of this comes through prayer and writing. The good thing is, I think I've figured out what may be my "main" problem. I don't believe that people can work out all of their issues on their own, but I think I'm a particularly relentlessly thoughtful (see: obsessive) person, and that some breakthroughs are possible between me and me. Not that I'll know what to do with them when I crack the code, but cracking the code is at least a starting place.
So yes, the thing I've been thinking about has been occuring to me in parts, starting sometime last year when I realized I've been feeling so long a special kind of separation from people, and that I expected it to go away in my college years, but it only (kind of) got worse. It's not social ineptitude, because I can be very socially capable when I chose to be (not often, I like being by myself, but I can fake it), and generally (and I hope I'm not bragging here) to know me is usually to like me. I'm a very self-deprecating person and that makes people feel comfortable, and I'm intelligent and informed and nonjudgemental enough for most people to enjoy my conversation. So it's not that. It's a sense of bitterness and sadness that I have, sort of. A frustration at the lack of security I ultimately feel and this peculiar thing that I feel is blocking me from living happily.
I think the problems is that I feel like I've been "blocked" for so long that all I can do is think of that rather than move forward and get over that block, but the block itself is all of this disappointment that's just grown into a monster. It started with rejection or something like that, and it's just become this huge thing, and I keep hoping that some event is going to destroy it but it doesn't happen (and he stays, but he leaves the next day, as paul mccartney would say). And it makes me angry. And what is it, really? Strangely (or not), the films In America and Ghost World have helped me zero in on it, and Freaks and Geeks has also contributed to my grasp.
Please-- if you're the type to roll your eyes at this self-exploration please don't read anymore, because it is sort of cliche but that doesn't make it any less true to me, and writing about it (I hope) will ultimately help me.
The thing is, I think, is that... ugh, I hate saying this, but I think it's that my childhood was cut really short. That's hard enough for some kids, but it was extremely difficult for me because of my family dynamics and my own nature, which has always been a bit on the obsessive/over-thoughtful/eccentric side. I was exposed to my parents struggling to make things work/keep us alive when I was pretty young, and that was accompanied by moving a good deal, being exposed to alot of death, depression and mental illness in my family around the time my grandfather died, and then all of the medical problems of my sister and the affect that had on my parents. My dad closes off while still being present in body while my mother is frankly an immature person who saw in me more of a friend than a daughter. While my dad might have been affirming enough for some kids, I was always very wise and sensitive to behavior, and I could always see that my dad complimented without really seeing and gave gifts without realizing what was worth giving (which is strange because my father is sweet and could never be called a cold person, he just... doesn't get with the program). So on the one hand I felt invalidated by my dad and depended on by my mother, and gradually my childhood vanished in smoke. I put it aside consciously, even, accepting my place in my friends' life as a maternal figure.
Because of who I was, I always felt like a pretty rejected girl. And THERE's where you have it-- the sad, completely lame truth is that behind most anti-normal people are people that have tried to fit in and have been rejected. As a homeschooler, you're basically rejected by the world in the first place. Or at least it used to be that way. And then, as I got older, I was further rejected by the homeschool community because I was "bad." Yes. Rejected by the rejects.
Anyway, all this to say: ever since I was eight, I think I've been waiting to finally have that life that I feel like I was supposed to have had. I was supposed to have FUN when I was a kid, and I didn't. I was supposed to be HAPPY when I was a teenager, and I wasn't. It's an unfortunate clash of expectation on my part (and optimism, always disappointment) and rejection by whoever mattered to me at the time. I was supposed to be young and fantastic after we had moved back to Ventura and finally made friends, and that's why it broke my heart so thoroughly when that didn't happen. And then came LMU, which was supposed to be amazing, but I was still so stuck in this mourning phase that I missed out.
It's probably time to accept that I can't be young. I don't know how to be. I've become very cynical because my hopes are always so high (against my better judgment) that I always feel so terribly sad when I feel things don't work out. And that's not from event to event-- it's now morphed into what is my ongoing depression. I think that's the source. I'm too discouraged about what I feel are lost years that I feel generally hopeless about the new ones, and I can no longer summon the energy for new possibilities.
Damn, but I am a headcase. I suppose what I have to do now is just plod, try my best to take things one day at a time rather than scrutinize the big picture.
but that's so exhausting. i'd rather be dreaming than living.
Ode by Arthur O'Shaghnessy
We are the music makers,
And we are the dreamer of dreams,
Wandering by lone sea-breakers,
And sitting by desolate streams;
World-losers and world-forsakers,
On whom the pale moon gleams:
Yet we are the movers and shakers
Of the world for ever, it seems.
With wonderful deathless ditties,
We build up the world's great cities,
And out of a fabulous story
We fashion an empire's glory:
One man with a dream, at pleasure,
Shall go forth and conquer a crown;
And three with a new song's measure
Can trample an empire down.
We, in the ages lying
In the buried past of earth,
Built Nineveh with our sighing,
And Babel itself with our mirth;
And o'erthrew them with prophesying
To the old of the new world's worth;
For each age is a dream that is dying,
Or one that is coming to birth.
A breath of our inspiration,
Is the life of each generation.
A wondrous thing of our dreaming,
Unearthly, impossible seeming-
The soldier, the king, and the peasant
Are working together in one,
Till our dream shall become their present,
And their work in the world be done.
They had no vision amazing
Of the goodly house they are raising.
They had no divine foreshowing
Of the land to which they are going:
But on one man's soul it hath broke,
A light that doth not depart
And his look, or a word he hath spoken,
Wrought flame in another man's heart.
And therefore today is thrilling,
With a past day's late fulfilling.
And the multitudes are enlisted
In the faith that their fathers resisted,
And, scorning the dream of tomorrow,
Are bringing to pass, as they may,
In the world, for it's joy or it's sorrow,
The dream that was scorned yesterday.
But we, with our dreaming and singing,
Ceaseless and sorrowless we!
The glory about us clinging
Of the glorious futures we see,
Our souls with high music ringing;
O men! It must ever be
That we dwell, in our dreaming and singing,
A little apart from ye.
For we are afar with the dawning
And the suns that are not yet high,
And out of the infinite morning
Intrepid you hear us cry-
How, spite of your human scorning,
Once more God's future draws nigh,
And already goes forth the warning
That ye of the past must die.
Great hail! we cry to the corners
From the dazzling unknown shore;
Bring us hither your sun and your summers,
And renew our world as of yore;
You shall teach us your song's new numbers,
And things that we dreamt not before;
Yea, in spite of a dreamer who slumbers,
And a singer who sings no more.
Friday, October 22, 2010
and i'll be on the sidelines with my hands tied.
They chose to make these movies for two reasons: conversion tools and moral alternatives to mainstream films. As for the latter, this is the problem with all things mainstream Christian. By offering what they think of as a healthy "counter" they continue to perpetuate this WEIRD counter-culture that attempts to dress up and commercialize Christianity-- selling it, basically, by wrapping it up in a bow that's supposed to inform us that it's just as cool as that other mainstream thing, only Christian. This is achieved on some level, and only subtracts from the overall quality of "art" in the mainstream. If you counter Transformers with Transfigurations or something, in the end, it's just more clutter. I feel the same way about most praise music. It's only a little bit lamer than the mainstream because it's trying so hard to be like the mainstream. Why dress it up? Why market Christianity? We're not meant to market faith, for God's sake! (....haha) Also, so far as the former, using such things as a conversion tool..... if that works, I guess that's cool, and I believe God can use anything, but still. Movies like Fireproof or Left Behind are pretty shallow introductions to a very expansive, powerful concept.
From my perspective, if you want to say something about Christ, morality, or redemption, you must explore those themes through powerful and proper storytelling, just like the best of Hollywood. If that means going indie, then go indie, like so many other storytellers. Mel Gibson, crazy man that he is and it's not like I approve of his life choices etc, did it, and did a fantastic job. He made a movie on his own about Christ, literally, with fine production value and explored the pain of Christ's final hours as a human man, making more of a point about the suffering of man (and Christ's subjecting himself to that, much like Last Temptation of Christ which everyone hates on but which I like quite a bit). Of course, I agree that his choice of subject isn't subtle, but you have to admit that it's no TV-Jesus movie. Otherwise, there are so many solid films with beautiful, uplifting themes that I think reach people in much more powerful ways than those obvious movies ever could. The redemption in Magnolia and Crash and The Royal Tenenbaums, the search for something higher in Blade Runner (and pretty much any sci-fi film)? The spirituality in Signs, The Sixth Sense, The Exorcist? The sanctity of life, explored with logic and without condemnation in Juno (written by an ex-stripper, btw), Knocked Up, and Waitress? The identification of evil in countless (good) films (like No Country for Old Men, which is NOT fatalistic, btw)? The exploration of relationships (what is real? also, a strong relationship between man and wife is meant to mirror God's relationship to the church)? Even films that Christians brand as encouraging the homosexual lifestyle, like Brokeback & A Single Man I think should be viewed to help us view oneanother as real people with real pain. The fact is, unless a certain person is primed to run to Christ, it's not going to happen because they saw a Christian movie, but if we prompt someone to think about morality, mortality, redemption, and most of all, hope, I think that opens the viewer's mind to important questions.
On a side note, I would definitely enjoy the promotion of a healthier, less scary and stereotypical Christian in non-Christian film. In Hollywood film, apparently everyone is agnostic or a scary born-again. I get that "Christians" have persecuted people, but ah, they're persecuted too. I suppose that's one nice thing about television, in shows like House MD etc-- we can discover the religious leanings of characters without them having to verbalize such things the moment we meet them, giving room for more fully rounded character development.
But that's just me.
Wednesday, October 20, 2010
"Screenwriters are ego-maniacs with low self-esteem."
I have so much potential.
I just wish it would materialize in the most material way.
"oh, is your grandpa super cool?"
This show has so much subtlety, and takes the approach of Mad Men-- a slow burn, a long set-up. It gives us time to get to know the kids. And their families. And their school administrators, even. It's funny and plays off stereotypes, sure, but it examines those stereotypes and the typical story of girl-comes-of-age-and-encounters-what-might-be-bad-influences. It's also set in 1980 which lends it that Wonder Years sort of feel, eliminating the obnoxiousness and technology of modern settings and focusing on the value of the classic stories and dilemmas that don't age.
The show focuses on Lindsey, who has semi-recently been witness to her grandmother's death. I think she's a junior in HS. She's a supersmart student and has always belonged to that type of group, but upon starting her new year she falls into the burn-out group, the "freaks" as she searches for something new. The other part of the show is about her younger brother, part of the "geeks," in his own social universe, trying to figure things out and be cool. Without being overdramatic in the slightest, the show addresses Lindsey's situation in her new group-- what might appear to be the usual story of girl-goes-kinda-bad becomes much more complex when you're a part of that story. Is it really that Lindsey's going bad? The freaks are likable. Their effect on her is both good and bad, actually. She also pauses to mourn the loss of her previous social clique, as well as admits that her new friends do not challenge her. She has a relationship with one of them, Nick, but it's not satisfying because he's too clingy and smokes too much pot. I loved their relationship, because it's clear that Lindsay cares about him, but it's not as though she's in love with him, and their evolution is so believable. None of the episodes are wrapped up tidily, and much of the time the characters are disgruntled (and yet not annoying!). Anyway. I think I'm going to write about it some more in detail on the other blog, but I felt like mentioning it because it's been very inspiring. The creators and writers really stepped out of the box for F&G, and it's a very natural, wonderful story. I'm a bit inspired by it at the moment, and want to drop everything I'm doing in order to write something truthfully teenagery. Oh well. I suppose I'll leave that to Apatow.
Also, freakin' Jason Segel was so freakin' cute back then. Argh, so precious.
Tuesday, October 19, 2010
let's shrug off minor incidents, make us both feel proud.
I have to admit that I've been away from stormy weather for so many years that I've forgotten what it feels like to be in such a thing. Rain in Socal is usually light and sporadic, so when it comes in great loads it's discombobulating. I like it a great deal in Ventura, I hated it in LA because that town is NOT built for rain. The irrigation is horrible, LMU always turns into a swamp at the first sign of drizzle (that's how I lost my shoes and nearly got fined returning a soaking wet camera case. that was also the day I had to sit through my film class, in the coldest room on campus, with my clothes soaked through. it was an amusing day, actually, but just a bit frustrating). Anyway, when it really rains in Ventura it's delicious, though always unexpected, and one can see the annoyed effect it has on the people. They're so confused. THEN, yesterday, came a burst of lightning and thunder that shook my house to it's core. Windows rattling and all that. I sat there, thinking there was something I was probably supposed to do, when I heard Melinda, my landlady, in the other room telling one of her pupils (she tutors at the house sometimes) that he should unplug his computer when it thunders. Hahaha. It reminded me of my father's psychotic, frantic unplugging of everything in Texas at the slightest sound of rain. Begrudgingly, I unplugged my laptop, though that turned out to be the last of the lightning for the day.
TODAY however has been interesting-- I worked all day to the tune of vague water pitter-patter (in my back room at my DESK, heck yes), then traversed over here to Coffee Bean. This particular building is somewhat circular, with large windows all the way around. About the time I got here, a lightning storm-- a bona-fide one-- began outside, much to the appreciation of everyone in here. We had pretty much the ideal view of most of the sky, the scattered bolts were all within our line of sight. And there were so many. And it got darker and darker and more and more crackles struck and echoed. The foundations shook, and I have to confess, I actually did feel a little unsettled. I'm too Californian now. Anyway, this went on for about 15 minutes, with the lightning getting closer and closer and louder and louder until BOOM. All of the power in Coffee Bean went out. That's never happened before! To me! In a public place! Well, other than at VC that ONE time, but even then it was ONE lightning strike and dead power for 20 seconds. It took them about 10 minutes here to get the power back. While they were messing with that, what began to fall from the sky? HAIL, children! Real-life tiny hail! I haven't seen hail in... forever. And then it poured rain, glorious rain. By now everyone in here was paying rapt attention to nature's ways, abandoning our useless computers and decaf lattes and gazing at the conflict in the sky. The place was almost completely dark, the usually overpowering lame coffee house music was absent, and the chattery buzz of the coffee bar was gone. Just the sound of water pounding on the roof mixed with the "oohs" and "aahs" of we the spectators. It was a moment of communal awe.
Then, of course, the power returned. The music blared on. Everyone bent back over their projects. If this had been some kind of meeting we would have already forgotten one another's names. I kind of feel like a member of the Breakfast Club come that Monday.
Nature: 1. People: 1 1/2.
Monday, October 18, 2010
Oscar Levant.
I hate men today. For both personal and objective reasons. And women. I hate what women do to themselves.
Also, I hate children. While occasionally amusing, today all I can think when I hear them speak is that they're just miniatures trying so hard to sound like grown-ups. I hate that people are imitative and that children don't know anything except what they're fed by their parents and imitate from their peers (who are only demonstrating their attempts to sound like THEIR parents), resulting in a bunch of fractured, half-baked, and embarrassed little people, the smaller and less educated version of the adults in their lives.
I don't feel like being in the world today. I don't feel like participating.
Friday, October 15, 2010
Thursday, October 14, 2010
in defense of television
Wednesday, October 13, 2010
Oh Sir Frankie Crisp, you know what I mean.
Hey there, Mr. T.
Tuesday, October 12, 2010
Saturday, October 9, 2010
he would know.
hi, john.
Yesterday was the much-hyped Lennon 70th birthday (or would-be 70th birthday if he hadn't been shot in 1980, ugh). I say much-hyped because it was surrounded by the release of some special edition stuff (remastered somethingorother hooplah) and the young!lennon movie (which I saw online months ago, and unless they recut it I am mostly unimpressed) and this and that. I think that's kind of a bummer. I mean, the fellow's dead. Is it a tribute or GASP a moneymaker??? I don't blame Yoko solely for that kind of stuff but of course her hand is in everything Lennon and her ownership is stifling. I'm sorry, their relationship was incredibly unstable at the time of his death, months before she was having an affair and the year before that she had CHOSEN a secretary to "give" to John and the two of them ran off and wasted away for a year before Yoko reigned him in (and made sure he'd never see the secretary again). I don't doubt that they loved each other, and of course that's not for anyone to say or speculate about, but I think it's certainly obvious that the woman was conniving and very good at keeping the willing John under her little tiny thumb. Anyway, my point was that it's weird to hear her talk about "john would have wanted you to give money to me, my life is devoted to my love for john, bla bla bla" when their relationship was shaky at best, and while John was all yay peace yay love yay activism he was also very moody, very sharp, very selfish and there's no telling what he'd go on to do. Anyway. I don't like seeing people capitalize on that kind of thing, I hope a portion of the money goes to charity at least.
Anyway, since yesterday was kind of a mini holiday for people who care about this kind of thing I celebrated by listening to my lennon best-ofs, accoustics, and plastic ono band stuff. One song on the accoustic is mainly a poorly recorded version of "it's real" which consists of John whistling and strumming. The minute it came on, the two little dogs in the house came running and barking to my door. It made me smile and think that the silly dogs and I were sort of similiar like that, still quite profoundly affected by something as crazy as pop music and John Lennon. Just goes to show you, the man still has it.
Listen to Oh Yoko and tell me it doesn't make you damn happy. Or instant karma's gonna get you.
Thursday, October 7, 2010
so silver, so exact.
Wednesday, October 6, 2010
it's raining buckets tonight. i can hear it, and it's so wonderful and cold.
Tuesday, October 5, 2010
[important things]
Saturday, October 2, 2010
i don't care if it hurts
When I first read about it, I thought it sounded like the weirdest thing. The trailer made it look like either a business/court-room drama or simply the evolving of facebook itself as a tool from Harvard and beyond. However, after seeing it, I've started to think that it's alot more than that, and despite a few minor complaints I feel as though it's true, what all of the reviewers are saying-- it's a defining movie. It's not about facebook the website so much as WHY facebook the website is what it is. It's left me with some very brow-furrowing thoughts. I hate to be a cheerleader for the bandwagon, but when they're right they're right. SEE IT. And then let's talk.